An essay is an academic paper that has four parts: introduction, body
document, the conclusion and bibliography.

There are many proposals to write an essay (you can search in Google), but
what matters is that the introduction of the test object is stated that generally is
approach to the question you want answered by the author. The body of the essay is the
orderly response to the question. Usually it is arranged in chapters and subchapters (if
are the case), so that the reader be clear about the question asked. The conclusion is
result of the work, is the short answer to the question posed. The bibliography is
consist section where the books consulted. One recommendation is to cite only
books or sources that are referenced in the body of the document.

The introduction has as its core the question the approach generally
is based on the individual interests of copyright. In the case of trips organized by the
School can be a particular issue on which interest and a previous one had. may
also be a question about a matter of academic interest, has attracted
trip. The question necessarily leads to the search for sources of information to help
to argue the answer to be offered in the document. A brief reference to
the goals set for the trip can be part of the introduction.

The body of the document is argued presentation of the answer to the question
posed. The order of the argument depends on the subject being treated. If the
response has different steps in the process, the steps are the chapters of the body
document. The organization of the chapters is not a problem if you are clear of the
arguments used to answer the question. The academic strength of a
test is clarity in the argument of the connections of the statements and
respective justifications.

The conclusion is the summary of the work that followed can be summarized in the response
offered to the question that was in the introduction.

In many trials the bibliography contains books, journal articles, sources
statistics and consultation relating to the subject. For the test, a report
end of the trip, only articles or sources that are referenced in the body will be cited 

These Ten studies on travel writing begin with two trials will and typological defining the genre. The Axel Gasquet, "Under the Sheltering Sky", goes in search of a coordinates -partida symbolic aspect, separation, transit, return-to conceptualize both travel and travelers of all ages as the ways in which experiences were expressed. Luis Albuquerque focuses on issues closer to the master of literary and textual hybridity to highlight the gender of a border from the aesthetic parameters analysis. The historical overview of the western traveler having these Ten studies demonstrate the complexity of working on a slippery and unstable genre that speaks to something as concrete and at the same time as diverse and multifaceted as the trip (travel) and chronic, but it also contains one of the issues to which Western thought has been given more importance: the reading of the world and ways of thinking about it. Since different times and experiences that are analyzed, the work shows that there is in chronic identification or union with the other, but a compendium of evidence on the differences between the culture of the traveler and found. No meeting but disagreement, not even as theoretical encounter with oneself is seen; so there is anticipation, observation, and especially opinion and judgment. At most there is a dialectic in terms of superiority (the traveler) and inferiority (the found), based on the traditional binomial civilization and barbarism. As has always been on the other side, except on rare occasions, travel literature.

The anthologies are always complex, not only by the variety of topics, but also by the plurality of tones and views; is usually read in a dispersed manner, fetching chapters of self-interest, but in this case it is recommended an orderly and complete reading, because the dialogue becomes established with the texts is very rich, plural and converged at the same time. Basically, both chronic travel as historiographical studies reach an almost common conclusion: travel is very difficult. The journey is a source of conflicts of various kinds, a voltage source, a danger; autobiographical narrative and experience-the traveler, just being a system to express a kind of feeling of difference, identification, uniqueness compared to the other question (and inevitably, in most times, a feeling of superiority). The journey makes the traveler on a special being, someone who identifies himself for the act of traveling. So feel admired Alexander von Humboldt, singular and unique to the American towering mountain ranges, and Manuel Lucena Giraldo has to reflect on the narrative strategies of a revolutionary scientist, but also responsible for the production of an image of America mythological connotations -nacionalistas. It seems that travelers are a different feel that theoretical iterative search topic of the encounter with the other. And in some cases, the consequences of that feeling of difference become so extreme that the complaint is imposed. It does severely Antonio Pérez, from the analysis of articles and reports, some very current on the Amazon and the impact of the foreign in its fragile anthropological plurality, to show that racism and patronizing tone of superiority still very much alive among the adventurers Western travelers, much as it is disguised as scientific expedition or humanitarian indigenismo.

And to understand the other's reality requires a very complex exercise; hence the impulse to feel certainly sympathetic to the King of Siam's inability to accept the existence of sea ice that describes a Dutch ambassador. Juan Pimentel uses this episode to explain the difficult line between reality and truth, between what is plausible and credible and dependence affecting these concepts in their own cultural tradition and training. It seems counterintuitive, but the contents of the chronicles of trips always were and have been difficult to accept, because they speak of the strange and the unknown and because, ultimately, the world is reduced to the world itself and of others, by unknown, simply does not exist. Exemplifies the pun running down the Lisbon XVI named Fernão Mendes Pinto commuter once already disclosed their fabulous trip East: Fernão, minds? Muito (Fernão, Do you lie? Much)

Nor is it surprising tone of disgust that is evident in the trial of Fernando Rodriguez Medium travelers regarding studying; in fact, rejection and shows them from the same title, "Against the traveler," is that some of the selected fragments of the liberal chronic Pedro Antonio de Alarcón writes about the Spanish war in Morocco (1859-1860) are made simply intolerable, and also show that the negative and grotesque image of the "other known", the traditional enemy of the West, Muslim and Jew, remains the same in the mid-nineteenth century that produced by the Western imagination for the previous five centuries. Given the colonialist attitude of undisputed superiority of Alarcon and other Spanish Morocco passenger Maria-Jose Murga, called the Moro Vizcaíno, Catalan spy Joaquim Gatell, geographer Julio Cervera Bavaria- the truth is that the pseudo-words thank anticolonial Aurora Bertrana Catalan photographer, it seems the only strive to understand each other's reality found.

Get chills just thinking about the possibility of falling ill while traveling from Spain to the West Indies, especially since the only remedy that seems to have in the pharmacy of the ship are "oils lizard, brick, soot and spirit horn deer, frogs and bats plasters, powders crab eyes and virginal milk. "And perhaps most frightening to know that this inventory is not carrying a Columbian ship late fifteenth century, but any other early modern eighteenth century. The blunt descriptive journey that Alfredo Moreno Cebrian offers on the daily lives of those on board the Carrera de Indias is one of the trials included in Ten studies on travel literature (CSIC, 2006) and edited by Manuel Lucena Giraldo and Juan Pimentel. Neither seem to do very well to the refined British ladies who venture through the picturesque nineteenth-century Spain; and that some of them move a whole world to feel at home, as the six trunks Matilda Barbara Betham-Edwards and her friend, Mme suffrage. Bodichon, which fits up to 'a folding rubber bathtub, [...] two or three bales of rugs, [...] a sewing silk [...] and finally, a bag of miscellaneous items as copybooks, opera glasses, passports, a teapot, a bag of water, air pillow, slippers and many objects. "Elena Carrera includes the testimonies of the English traveling (the male Elizabeth Mary Grosvenor in its sea route, the gaze of the painter Louisa Tenison, the aristocratic junket Lady Sophia Dunbar and family), his adventures and misadventures, their disappointments and surprises, doses of infinite patience needed to travel for a Spain that, contrary to the portraits made ​​by Washington Irving and Théophile Gautier, it seems, most of them, very little Spanish. No oriental exoticism in that dusty Málaga stinking rotten fish and where a blazing sun not recommended for very white skin Frances Minto Elliot falls. They travel in the wake of nineteenth-century European grand tour, but also are women, and that enriches the reason for your trip: do it for the experience, original and quirky, the distinction between the condition imposed by their age. Travel to the dangerous and wild and makes Spain the singles and women.

My first post on the blog of The Spectator. For me it is an honor to be part of the community and this is for several reasons. The main thing is that Colombia is a country which I love so much. I was lucky and that spending 9 months work and the opportunity to meet great friends and places like Cartagena, Barranquilla, Manizales, Santa Marta, Bogota, Cali and Medellin. Nature knew provide a beautiful combination between landscapes and human warmth, because its people is simply extraordinary and very beautiful. I keep beautiful memories that are in my retinas and especially in my heart.

The other reason that I am proud to be part of this community is to share with you places that no longer wished to go some day. Traveling is magic is the magic of the senses.

Since I'm new, I want to share with you in this first publication, the city where I live: Rosario in Argentina. A city of 1 million inhabitants, located 300 KM north of Buenos Aires. Rosario is the city where Che Guevara Lionel Messi, Luciana Aymar, Bielsa was born between other characters and well known international athletes. No I was born in Argentina, but in the United States and the daughter of Argentine parents but I consider myself more Argentina. And as good Argentina, talking football is my passion. I am a fan of Club Atlético Independiente de Avellaneda who is at this moment playing Colombian Fabian Vargas.

Want to know a little town where I live ?, present them to Rosario, the city without foundation date and therefore not celebrate the day of our city. So we are!

When we decided to travel, take some bags and get there one other memory, we feel that a part of us, a thousandth part is lagging in the place where we start, here, in this place, at this moment the odyssey begins, the eternal question than it will be later, which will represent the journey and how you will stay in our lives.

Perhaps the traveler, before embarking on his journey not think much about these things, all this comes to mind when through the fogged glass of any airport family farewell with tears in his eyes and his friends waving the victorious fist, looking as the traveler is moving slowly but surely to the departure lounge, where to get on the plane all the memories remain latent, browsing around, permeating other guests, some used, others farewells, others to the meeting (ie, without knowing perhaps, that return is one of the hardest parts of the trip).

For a moment I think about migrating butterflies in Roma voyages, the trams, on the railroad, on the plane, the compass, on the road, in exile, in no return, on the run, in the luggage on the ship that is lost in the vast sea ends and sometimes eaten in the jungle, in the infinite road on humpback whales in the Magdalena River crossings, finally, the displacement in the move to another place, another unexplored site, according to RAE: Transfer made ​​of one part by air, sea or land, or: Go anywhere, even if not day, especially when carrying a load.

Maybe that's why we travel, because we have loads, and travel means we get rid of them, set them aside, throw them into the sea, to hide in the jungle, let fowl on ship engines, always seeking ways to let that go and start somewhere else, where nobody knows us, where all are strangers and can freely start from scratch.

I think touring enclosing different codes, self-imposed exile, rootlessness, being away from what we love and miss, as if memory was that old book that closes for a moment as we move opens up, the pages turn, one after another, like birds, birds that follow that course that we sometimes forget

instructions

1
Take a new view. Use bold words and your own voice. He writes that transcends your address, whether it is the desolation in the slums of the city or the clean mountain air. Paint vivid pictures in your environment will attract readers to your story.

2
Ponte in the trial. Use the first person and let your personality out through history. It shows the reader how some view made ​​you feel or how people in a new community will accept. Show, rather than tell, you can spice up testing journey, and make them enjoyable to read.

3
Be concise. Stay away from the sublime language. Instead of testing large phrases that sound smart, use short, concise words that will get your point across more effectively.

4
Share the good and the bad. When writing an essay books you need to be honest with your readers. Write about the beautiful scenery, but also on the dirt. Not all destinations are heaven, even if it is, is not always beautiful in all its aspects.

5
Personifies your world. By bringing to life the buildings, trees and ocean waves, can give you a creative bent to images in your essay books. Wind can sing, the waves can moan and old rustic buildings can speak to the soul.

6
Quote to you know. To write a test trip, and really bring the place to life, it is useful to include anecdotes or quotes from the locals. This helps show the reader your destination without you having to tell them.